Comments on: Interview with Julian Kreimer

By: Massi

Massi — Mon, 13 Feb 2017 00:31:36 +0000

Where can I see his work to buy!!! very interested. Great work

By: T. Kelly Wilson

T. Kelly Wilson — Thu, 02 Jul 2015 05:50:15 +0000

cactus paintings, wonderful….

By: Ginnie Gardiner

Ginnie Gardiner — Tue, 02 Jun 2015 13:33:20 +0000

The painting ‘Turquoise Fence’ is absolute painterly inspiration. The hi-key orange-yellow stripe suggesting the under-hang of the building’s roof juxtaposed with the turquoise fence is brilliant, as are the other lower color key relationships in the foreground sand and the upper branches painted in a similar sand color dancing and over the buildings’ facade. The branches echo their grey shadows in the foreground, and the overall exuberance is enhanced with the punch of the yellow on the left…and all in a satisfying tripartite composition. Simply a wonderful painting. And a very enjoyable interview. Thank you.

By: Michael Collins

Michael Collins — Tue, 02 Jun 2015 10:11:17 +0000

Thanks for the engaging interview, discussion of process, and the many reproductions of JK’s paintings. The ‘Construction’ series is especially enjoyable with regard to the idea of seeing through buildings or homes that will soon provide further visual obstructions and views. I like also the effort to develop further the impressionist ‘screen of trees’ motif (Pissarro in Pontoise) with processed timber rather than a mature orchard or forest at the edge of town.

By: Richard Dean

Richard Dean — Mon, 01 Jun 2015 10:36:42 +0000

The difference is that Dada was fun and Dada was new but these days there’s not much art that’s new and not much fun either.

By: john leavey

john leavey — Sun, 31 May 2015 13:09:12 +0000

Very impressive both the work & the interview.Thanks. The remark about Vivaldi struck a note, I think that representational,observational painting has long suffered from relative neglect due to its appeal to a less educated group,in
the form of magazine illustration. In short, in colleges across America students were introduced to paintings found in the Museum of Modern Art, etc. So given the power of the press in the form of the Art Magazines, & the upward swelling of money in the Gallery industry & the prestige of Academia we are were we are. This past year at the American Academy in Rome three crows were free to fly around the Library where books on revolutions were placed on tables for the audience to
view. We are fast approaching the 100th anniversary of the Dada movement, nice to see Academia is catching up.

By: Barbara

Barbara — Thu, 28 May 2015 17:09:09 +0000

Nice interview in that it invited us into the thinking process as well as seeing the final results.

By: Richard Dean

Richard Dean — Wed, 27 May 2015 15:21:10 +0000

Handsome work and a great interview! Loving the construction and chain link fence paintings especially.