Comments on: Interview with Robert Birmelin https://paintingperceptions.com/interview-with-robert-birmelin/?utm_source=rss&utm_medium=rss&utm_campaign=interview-with-robert-birmelin perceptions on painting Fri, 14 Jul 2023 01:48:06 +0000 hourly 1 By: Robert Birmelin, John Thornton's Video Interview and "Conversations with the Other" Exhibition - Madcity Painting https://paintingperceptions.com/interview-with-robert-birmelin/#comment-119068 Fri, 14 Jul 2023 01:48:06 +0000 https://paintingperceptions.com/?p=10059#comment-119068 […] Robert Birmelin, who will turn 90 in November, is a major American artist known particularly for his paintings of New York City crowds. In Philadelphia, he is represented by the Stanek Gallery. I wrote an extensive interview with Robert Birmelin a few years ago that you can read here, interview-with-robert-birmelin. […]

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By: Mary Jane Curry https://paintingperceptions.com/interview-with-robert-birmelin/#comment-111798 Wed, 18 Jan 2023 15:22:52 +0000 https://paintingperceptions.com/?p=10059#comment-111798 My parents were at the American Academic with Mr Birmelin in 1961-1963 and bought one of his paintings, which my mom thinks is called Interior/Exterior–We grew up with that painting on our living room walls as well as one by Mr Chaet. My mom has Birmelin’s painting and I have Chaet’s. Fascinating to see how the multiple perspectives of that piece are carried through into so much of his subsequent work. These pieces were very formative for my sisters and me.

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By: John L Castell https://paintingperceptions.com/interview-with-robert-birmelin/#comment-56823 Mon, 17 Aug 2020 22:42:03 +0000 https://paintingperceptions.com/?p=10059#comment-56823 Thank you for such a fine interview. It is my first insight into Robert Bermelin’s history, as he is my great uncle; my grandmother’s brother. I met him in the early 1980s after graduating from the fine arts department at Parson’s School of Design. A visit was arranged by my father, RBs nephew. He looked at my artwork with not a word and seemed wholly disinterested. I was naive and “green” not knowing what to expect. All I knew was he was an established and respected artist. I can understand that. It takes a kind of person to live the life of a painter and you sacrifice a lot. A choice you make early on. I could relate to that choice, one I did not wholeheartedly make, and had many painter friends (still do) who carry that torch. It is a long slog. It was great to see the range of paintings in relation to the artists timeline, travels, ups, and downs. I have my opinions about the artist’s output, but they are dwarfed by the success and a life well-lived making art. Thanks again for the look inside.

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By: Pearl Rosen Golden https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51125 Wed, 11 Apr 2018 04:21:26 +0000 https://paintingperceptions.com/?p=10059#comment-51125 Larry thank you so much for this great interview with Robert Birmelin. So many wonderful paintings that I have not seen before. Really taken with his imagery – a powerful representation of our contemporary life and social issues. Mention of Edwin Dickenson brought back sweet memories of Francis Cunningham talking about Dickenson in my classes with him. That system of patches!!! Moved by his philosophy “How to be true to your own experience is the adventure of being an artist”
Many thanks to you both.

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By: James Celano https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51109 Mon, 09 Apr 2018 21:58:01 +0000 https://paintingperceptions.com/?p=10059#comment-51109 In reply to Larry.

Don’t quite get it since I’ve posted a couple of comments in the past on your blog. I do think as artists we owe it to ourselves to be honest without being cruel about it, unless the work is so shallow that it’s just asking for it. I will say I like Mr. Birmelin’s drawings. There is something more direct about them and therefore they have a charm lacking in the paintings. The comment on Prince Street was merely meant as a heads-up for any struggling artists who might think New York means an automatic sale. By the way, I’ve read comments by famous artists that completely eviscerate other artists, including highly regarded ones. And by famous, I mean Picasso, Gauguin, Freud, etc. Maybe I jumped the gun. I’ll hang onto the blog. I do find it interesting to read what artists have to say about their work, but not for the reason you might think. The poet, Apollinaire once said, “One should apologize first before talking about painting.”

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By: Larry https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51106 Mon, 09 Apr 2018 21:32:09 +0000 https://paintingperceptions.com/?p=10059#comment-51106 In reply to James Celano.

I set up the comment system here to to prevent spam by me first approving the comment for the first comment made from an email account. When I’m away from my computer, first time posters have to wait. Once I’ve approved the comment from that email address – their future comments go through without my moderation. I very rarely censor anyone for what they say, no matter how much I might disagree with them. Unless your post is particularly abusive, mean-spirited or spammy I will likely publish it. Your tone made this one a tough choice but I decided to publish it anyway. I’m sure that isn’t the first time Robert Birmelin heard that take on his painting. The Prince Street gallery is correct to say that paintings don’t often get sold in the juried show – I would venture to guess that a depressingly small percentage of paintings get sold in most venues. We painters need tough skins and a strong love for painting and find ways to do it no matter what the difficulty.

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By: James Celano https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51104 Mon, 09 Apr 2018 20:13:54 +0000 https://paintingperceptions.com/?p=10059#comment-51104 I see you aren’t going to publish my comment on Robert Birmelin. Why is that? Because I didn’t gush about or flatter the painter you decided to interview, but instead gave my honest opinion. Or was it because I honestly described my experience with the Prince Street Gallery’s juried exhibition? Either way, you need not worry again. Your blog was one of two that I followed. But I’ll be dropping yours as soon as I find the place where you can un-follow a blog. As somebody once said: “If you can’t take the heat, get out of the kitchen.”

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By: James Celano https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51103 Mon, 09 Apr 2018 17:34:49 +0000 https://paintingperceptions.com/?p=10059#comment-51103 Mr. Birmelin seems like such a nice man, it pains me a little to say this: His paintings strike me as over-sized illustrations. Kudos to him, though, for slamming all the projected, “it looks just like a photograph,” crap passing for painting these days. Kudos, also, to Josef Albers for being way ahead of his time in dissing all the runny, drippy paint that has become so prevalent in so much painting today. By the way, I exhibited a painting in the Prince Street’s juried show a few years ago. I called to discuss shipping arrangements and was told by the gallery person on the phone that they rarely sell paintings in their juried show. So be aware. With entry fee and shipping costs, it could run you well over a hundred dollars for the privilege of decorating their walls for a month. No thanks!

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By: Ginnie Gardiner https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51102 Mon, 09 Apr 2018 16:17:03 +0000 https://paintingperceptions.com/?p=10059#comment-51102 I remember how exciting it was to discover Robert Birmelin’s paintings in the 1980s’! The motion and energy and capturing the anxiety generated by the crowds moving in the streets – and the amazing ability to capture depth of field. I was painting in NYC at the time, having graduated from Cornell in 1974, and it felt invigorating to see strong, figurative, expressionistic painting.

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By: Peri Schwartz https://paintingperceptions.com/interview-with-robert-birmelin/#comment-51095 Sun, 08 Apr 2018 17:33:51 +0000 https://paintingperceptions.com/?p=10059#comment-51095 A wonderful and in-depth article about a serious and important artist (who also was a great teacher of mine). Thank you Larry for asking such great questions and Bob, for your honest and interesting answers.

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